Gear Review: Big Sound, Little Muff; Or, this Pi’s for You!

Big Q I can’t answer: “The EHX Big Muff Pi is conspicuous for its very ubiquity. But does it really deserve its exclusive status as the “fuzz of all fuzzes”?’

Few if any axe-grinders have taken to the concert stage without the giant silver wedge of an Electro-Harmonix Big Muff Pi at their feet at one time or another. My first was an army-green Sovtek that I picked up at the local music store/pawnshop I frequented in my teens. I remember being fascinated by the Cyrillic lettering on the pedal’s wooden box, both amazed and confused that this piece of Soviet engineering had found its way to me, in Morristown, Tennessee. I knew nothing of the Big Muff’s long history, or that Sovtek was really just Electro-Harmonix (builder of my first stomp box: a red and black “Small Stone” phase shifter) in exile. That big green wedge was gateway to a whole new universe of tones — and volume — and it was a mainstay at my feet for the better part of twenty-five years. When I sold ‘Big Green’ in order to finance some new gear I coveted, I almost immediately regretted it; despite there being countless new,  Judge-Me-By-My-Size-Do-Youdifferent, and even ‘fuzzier’ options available, I missed the tried-and-true sound of my BMP. After a flirtation with going fuzz-less, I was soon pulled back toward the furry side with the EHX’s Big Muff Pi w/ Tone Wicker, which found a home on my board until, lo and behold, I happened upon the Nano Big Muff Pi — the most unintentionally oxymoronic pedal of all time. How can it be ‘nano’ and ‘big’ at the same time?

Not being a wizard myself, I can’t tell you what kind of spell Mike Matthews and his Brooklyn-based coven slapped on this Lego-brick of a stomp box. What I can tell you is that they somehow shrunk all the best parts of the Big Muff Pi into a teeny enclosure that somehow generates its own unique brand of fairy dust. I have both a newish, big-ass-silver-box “NYC” BMP and a newish Nano BMP, and the Nano stands shoulder to shoulder in terms of in-your-face hairiness, and outshines the full-size BMP in clarity. Maybe my ears are biased, but the Nano actually sounds better to me: just a little bit sharper, letting just a wee bit more of my pick attack come through.

Now, if EHX could just get with the program and start using center-negative 9V inputs like everyone else does, we could really get down to business!

 

 

Advertisements

About russellwriter

Rob Russell is a dad, husband, writer, musician, educator, comic book reader, bad solderer, pop culture junky, trivia buff and student of everything cool and uncool. His favorite records are Bob Dylan's Blonde on Blonde and, currently, The Best of Bobbie Gentry: The Capitol Years. His favorite comic books are Kurt Busiek's Astro City and Neil Gaiman's Sandman. His favorite literary novels are Gabrial Garcia Marquez's 100 Years of Solitude and William Faulkner's As I Lay Dying. His favorite genre novels are John Scalzi's Red Shirts, M.R. Carrey's The Girl with All the Gifts, and Dan Simmons' Drood. His favorite movie is Goodfellas. His favorite hobby, besides everything, is writing about himself and his favorite things in the third person.

Posted on August 21, 2016, in FX, Gear, Rock and Roll and tagged , , , , . Bookmark the permalink. Leave a comment.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: